Drawing Maps and Plastic Bags

I’ve always had a thing for maps – trail maps in particular. They are full of possibilities and tiny meticulously drawn details. The hand-drawn maps of imaginary worlds in Tolkien’s The Hobbit were some of my favorites when I was a kid.

To this day, I still prefer to carry with me a printed map when I go backpacking or when I’m exploring a new route that has many connecting trails and chances for getting lost. In more tricky spots, I frequently have the chance to share a map with other hikers who are unsure of where they are or where to go, and to help them find their way. Even folks using mapping apps will often take a picture of my paper map to guide them.

For a few years I’ve been making drawings and paintings of crumpled paper and plastic bags, and while I could tell something interesting was going on, I couldn’t figure out what direction to take them. Recently while following a thread of ideas, I started making imaginary topographical drawings/trail maps using plastic bags as a reference for the land. Now I’m making a series of them for a solo exhibit in the spring.

Here’s a look at my sketchbook showing the progression of drawings I made to figure out how to make it work (that link goes to Instagram by the way) along with images of other drawings I made along the way.

Also if you’re in or near Winston-Salem, you can see some of my work, including my painting Of Stones and Earth and Air at The Gallery at Stimmel. The work there is available through Artfolios.

The drawing of paper that started it all almost 10 years ago.
a drawing of plastic bags
Cold Water, oil on canvas, 30×40 inches The big thing in the foreground is actually crumpled up paper.

Happy New Year and Studio Goings On

Happy New Year! I just got back from a walk with my kitten Luna in a cat backpack. Yes, I am now that person who walks their cat in the neighborhood.

I’ve been on winter break and I’ve got a few days ’til the start of spring semester in the School of Film at UNCSA. It’s been nice to have the time and mental bandwidth to retool the classes I’m teaching and to work in the studio, where I’ve got several projects going on.

As we speak, I’m soaking River Birch bark (foraged with a friend) to extract some color and dye the last few hankies I kept aside. You may notice an open container of gesso, a sort of acrylic primer to prepare a birch wood panel for a painting. To get the surface ready to paint on, I applied four thin coats of gesso, sanding in between each one to make a bright white, opaque, smooth surface to work on. I’m looking forward to making this painting. It was commissioned at the end of the year by North Carolina Museum of Art (NCMA) Winston-Salem, specifically for the Hanes House.

In the last image, you’ll see a screenshot of an in-progress edit of a video piece I’m working on for my upcoming show in the spring. Some of my students were kind enough to help me out for this project and let me shoot their hands while they made an ink drawing of a landscape in Todd, a small community outside of Boone, NC, that saw a lot of damage during Hurricane Helene.

The previous two images are of ink drawing experiments I’m doing to figure out a series of works hopefully for the spring show. In the last few years I’ve made some drawings and paintings of plastic bags and crumpled up paper, but nothing I really dug into. Now I’m making drawings of plastic bags again, this time imagining a large group of them hanging together in a series as sort of imaginary topographies. We’ll see where it goes.

Making Thank You Drawings

Around the holiday season, I make a series of small works on paper to send to collectors of my paintings as a way of saying thank you. This time-lapse film documents the process of making the mixed media drawings I sent this year. If you look carefully, you’ll notice that I started working on light blue paper, but eventually switched to a white paper. The blue paper felt too flimsy, so I used a heavier-weight watercolor paper instead. You’ll also notice in the upper left corner when I cut the new watercolor paper. I think my favorite part of the video is seeing all the tools move around as I used them.
This was shot over the course of two days, with a photo once every 10 seconds. I used watercolor, graphite, ink, wax pastels, colored pencil, and gouache (opaque watercolor). Enjoy!

My travel watercolor and drawing kit

In this video I’ll share with you what I pack in my travel painting and drawing kit. I’ll show you how to carry just a small kit for drawing, and what to add if you want to paint with watercolors. Find out what type of pens and other drawing supplies I use, as well as which particular colors and brushes are in my portable watercolor kit.

Looking for more tips for artists? Check out the blog posts below:

Good books for creative people

Timelapse showing how I pack my plein air painting kit

11 Things athletes do that will make you a better artist

Know anyone who might find this interesting? Please share it!

The unglamourous part of making art

Behind the scenes this week…
I’ve been using torn bits of my drawings as collage material in my new mixed media pieces. After brushing the back of the paper with acrylic gel medium and placing the paper where I want it, I flatten it with a piece of wood and weigh it down with something heavy – in this case, gallon paint cans. I typically let it sit overnight so that it’s ready to go in the morning. Once dry, I can work on the paper and panel with paint, ink, pastel, or whatever other medium I choose to use on it. With these particular pieces I am not using oil paint. This allows me to keep the paper exposed because I don’t have to prime the paper to protect it from the oil paint.

New house, new studio

I haven’t blogged in a while. We bought a house this spring/summer, have been settling in, and getting the studio (in my case) and darkroom (in Tim’s case) going. The studio feels good. We insulated it, put up homasote, and I recently prepared a bunch of new panels to work on a series. I’m working on mixed media collage pieces using some drawings I made last week. Mix of Sumi ink, acrylic, watercolor, gouache, pastel, graphite, and markers. I’m trying to keep the works on panel pared down – which is hard for me because I have a tendency to want to bury layers of paint and drawing and build up the surface. We’ll see what happens…

Scroll to top