What happens when a painting doesn’t work?

The 63 skies project is going well! I’m still not sure what to name it, but I’ve landed on how the paintings will look and feel. Here’s how it’s going:

Sky paintings in artist studio

This morning I repainted 3 of the first 4 paintings I’d made because they didn’t feel right. The last one to re-paint is on the lower right. You can see the initial stages of the work in this piece.

For those of you who are curious, here’s what the group of paintings looked like before I re-worked the first four:

sky paintings in studio

I ended up painting them again because I found them over-worked and heavy feeling. Because there will be so many of these extending 19 feet up and 17 feet out, I think they’d feel oppressive on that scale, so instead I opted for a more loose and airy approach.

Happily I’ve already raised almost 50% of the cost of these materials so far! You can contribute to this project on my project page at Buy Me a Coffee. Thank you to all those who’ve already contributed! It means a lot that you believe in my work.

Thanks and have a good week!

Big skies, beginnings of a project

Big skies… this is the working title for a new project I’m working on. I announced last week that Sechrest Gallery at High Point University invited me to show Paper Mountain, Sky Project and a group of paintings for a solo exhibit in the fall, and installation for the show starts exactly 90 days from today. Because I want to make a lot A LOT of paintings between now and then, I decided what this exhibit needs is a wall-full of paintings – sky paintings to be specific.

So I am making 50 sky paintings that will literally cover one of the gallery walls.

The paintings will be hung in a grid 19ft tall and 17ft wide.

I’ve decided to use acrylic on Yupo, a polypropylene paper. The acrylic dries relatively fast compared to oil paint, so I can easily stack finished paintings as I work. As for the Yupo paper, I like how slick it is to paint on, and I know that it will sit against the wall rather than buckle.

Why am I using paper rather than wood or canvas to make these paintings? I want the images to sit flat on the wall rather than jut out into space like a panel does. I don’t want the objectness of a panel.

I’ll share with you progress on this project as I go, so stay tuned for images as I figure things out.

In the meantime, I’ll leave you with an image of a sky I particularly like. This is Field and forest with red, one of the paintings from my Tiny Landscapes collection. I enjoy being able to see some of the underpainting of the sky… bits of pink and gold glimpsing through layers of sky and cloud. This little painting is acrylic on wood panel and measures 6×6 inches.

Scroll to top