Happy New Year! I just got back from a walk with my kitten Luna in a cat backpack. Yes, I am now that person who walks their cat in the neighborhood.
I’ve been on winter break and I’ve got a few days ’til the start of spring semester in the School of Film at UNCSA. It’s been nice to have the time and mental bandwidth to retool the classes I’m teaching and to work in the studio, where I’ve got several projects going on.
As we speak, I’m soaking River Birch bark (foraged with a friend) to extract some color and dye the last few hankies I kept aside. You may notice an open container of gesso, a sort of acrylic primer to prepare a birch wood panel for a painting. To get the surface ready to paint on, I applied four thin coats of gesso, sanding in between each one to make a bright white, opaque, smooth surface to work on. I’m looking forward to making this painting. It was commissioned at the end of the year by North Carolina Museum of Art (NCMA) Winston-Salem, specifically for the Hanes House.
In the last image, you’ll see a screenshot of an in-progress edit of a video piece I’m working on for my upcoming show in the spring. Some of my students were kind enough to help me out for this project and let me shoot their hands while they made an ink drawing of a landscape in Todd, a small community outside of Boone, NC, that saw a lot of damage during Hurricane Helene.
The previous two images are of ink drawing experiments I’m doing to figure out a series of works hopefully for the spring show. In the last few years I’ve made some drawings and paintings of plastic bags and crumpled up paper, but nothing I really dug into. Now I’m making drawings of plastic bags again, this time imagining a large group of them hanging together in a series as sort of imaginary topographies. We’ll see where it goes.
Happy New Year! I read somewhere that it’s a good practice to pause and reflect on the previous year, so I’ll do that here and celebrate some highlights with you. Here we go in no particular order:
I had the chance to be interviewed on two podcasts: Red House with musician and music producer Tyler Nail and Free Pizza with photographer Daniel White.
My work was juried into ArtFields in Lake City, SC. Experiencing the closing festivities there was a highlight for me and my family.
One of my paintings travelled to Kyrgyz Republic as part of the US Department of State’s Art in Embassies program.
And the two I am most proud of: I won the Pilot Mountain Trail Marathon women’s division, and I worked from March to December on building up to 10 consecutive pull-ups!
Now I’m focusing on getting work ready for my upcoming exhibit in High Point, NC. My show opens at the Art Gallery at Congdon Yards on Thursday January 25th, 5-7:30pm. I’m showing paintings, video, sound and sculpture. Scroll down for a peek at what I’m up to in the studio.
Using a propane torch to fuse encaustic paint on one of my sculptures.Compressing as much fabric as I can into one of many bundles…
Earlier this week The U.S. Department of State sent an art shipper to my studio to pack up “Field and Forest with pink.” Through the Art in Embassies program, this painting is headed to the Kyrgyz Republic to live with the U.S. Ambassador there on their tour of duty.
Field And Forest With Pink, acrylic on wood, 18 x 24 inches
The U.S. Department of State has run Art in Embassies since 1963 to create cross-cultural dialogue and foster mutual understanding through the visual arts. I love the idea that one of my paintings is headed to a country I haven’t visited.
As part of the Art in Embassies program, the U.S. Ambassador to the Kyrgyz Republic selected my painting for the official residence in Bishkek.
Writer Scott Sexton wrote a great piece about it in today’s Winston Salem Journal and you can read it here.
A few weeks ago I had a chance to sit with Tyler Nail, the Winston-Salem song writer and music producer, on his Red House podcast. In our wide-ranging conversation we compare notes on making visual art and music, discuss why taking care of your health is a rebellious act as an artist, being purposeful in life and in your creative practice, making tough decisions as a parent and when to let go, the resurgence of tradition and technique in art and music and many other ideas on life and art. Thanks Tyler for the excellent conversation!
You can watch it on YouTube or listen to it on any of the platforms below. And give Tyler a listen if you haven’t already. You can find his music here. Enjoy!
What’s happening in the studio these days… These are some works in progress on the wall. The pieces on the sides are finished and the one in the middle is in the early stages of painting.
This Sunday at the Millennium Center in Winston-Salem, come see some artwork and listen to live jazz. I’ll be there along with a group of Artfolios artists, and all artwork there will be available for purchase. The center is at 101 W 5th St, Winston-Salem, NC 27101, and the event is from 2:00 – 5:00 PM. You can find all the details here.
The Spring Studio Refresh is still open if you haven’t had a chance to check out some of these artworks. These are pieces I’ve made to try out ideas, to hone my craft, to demonstrate technique to students and for fun. You’ll find that work here.
And lastly, I’m headed to France soon to visit family and friends and for some hiking in the Alps. I’m closing my shop while I’m away, so if you have your eye on something you’d like to get your hands on soon, now’s the time!
Last day to order a painting for delivery or pick up this month is Monday June 6th.
High up in its windy nest, oil and acrylic on canvas, 40 x 40 inchesField and forest with turquoise, acrylic on panel, 5 x 7 inches
On Saturday, I ran a trail marathon on Pilot Mountain in North Carolina, a state park 30 minutes from Winston-Salem. These are typical East Coast technical trails with plenty of rocks and roots to navigate and 4,500 feet of climbing. This mountain has inspired much of my work, both paintings and installation, notably Paper Mountain. I’ve also spent countless hours hiking and running and camping here, so it felt pretty special to have the chance to run this event. Here’s my race report for anyone who cares about the nitty gritty details.
The race approaches the mountain on the Pilot Creek Trail, heads up the mountain on Grindstone, then Ledge Spring trail, goes around the Jomeoke trail at the top, back down Grindstone, around the Mountain trail, then back up Grindstone, Ledge Springs, Jomeoke, down Grindstone, around the Mountain trail again, and back out on Pilot Creek trail. Here’s a map of these trails if you’d like to take a look for yourself.
Pilot Mountain 11, acrylic and oil on panel, 12 x 12 inches. One of the paintings I’ve made inspired by my time on this mountain, specifically hiking along the Mountain trail
It was a little above freezing at the race start and got up into the mid forties by the end. I carried a hydration pack with 1.5 liters of water, a small first aid kit, a little baggie of potato chips and gummy bears, and planned to grab most of my food and additional drink at the aid stations along the way.
The morning of, I had my typical “race breakfast” of oatmeal, scrambled eggs and coffee, and I did my physical therapy exercises to help make sure I didn’t hurt myself. I drove the 35 minutes to race start and after picking up my bib, I did my usual dynamic warmup, ate a banana and drank a bottle of water.
A small group of us gathered at the start and it started to rain freezing rain. There were many more people racing the 20km course, and they stood nearby. The mood seemed fairly calm and relaxed. The race officially started and those of us doing the marathon ran into the woods. I could hear the freezing rain, but the tree canopy kept us dry. The ground was muddy – as expected since it rained most of the previous week.
I passed some people and was passed by others as we all established our rhythm, and within 15 minutes or so I was basically on my own in the woods. The first section, Pilot Creek trail, is a 3.3 mile section that brings you to the base of the mountain.
I stopped at the first aid station about 30min in, grabbed a cup of water and some Oreos and was on my way to start the first of 2 laps up and around the mountain. I ate an Oreo on the way up Ledge Springs trail, one of the big climbs, and was shocked by how sweet it tasted. I had a hard time getting 2 cookies down, but knew I needed the calories. My belly felt a little off after that, so at the 2nd aid station at the top of the mountain, I drank some Coke which thankfully helped. I grabbed 1/2 a peanut butter and jelly sandwich and ran down the mountain.
Of Stones and Earth and Air, oil on canvas, 60 x 72 inches. One of the paintings I made inspired by hiking at the top of the Grindstone trail
About halfway down the Grindstone trail, I took a wrong turn (100% my fault). Luckily I realized I was on the wrong trail fairly quickly, turned around and headed back to rejoin the right trail down the mountain. I lost a few minutes there and laughed it off to keep my heart rate from spiking due to the adrenaline.
One my way around the base of the mountain, as I stuffed my gloves into my pack, I twisted my ankle hard, but quickly recovered. To me this stretch is mentally the toughest of the race because it’s long and feels never-ending, but I felt pretty good. I ate my 1/2 PBJ sandwich and passed the water aid station, a gallon of water along the side of the trail, and opted not to stop there.
Pilot Mountain 7, acrylic on panel, 20 x 20 inches. One of the paintings I made inspired by hiking along the Mountain trail
I passed the fourth aid station at the start of my second loop up the mountain, had some coke again since it worked well to keep my stomach settled and grabbed a half banana to eat up on the steep Ledge Spring climb. Just after starting that stretch of trail which is a series of steep rock “steps” for almost a mile, my left inner thigh threatened to cramp, so I tried climbing leading with my right leg each time. After a few steps, I realized I’d quickly fry that leg too, so I went back to alternating legs up each step, but focused on engaging other muscles. It worked and I was able to very gingerly make it up the climb without fully cramping.
Another coke from the aid station at the top and I took a gel with me for the loop around the base of the mountain. On the loop, my right inner thigh threatened to cramp, so I resorted to taking very small steps as I climbed and hopped around the rock gardens along the trail. I ate some of the chips I had brought with me, hoping the salt would help. It didn’t help fast enough, so I quickly downed the gel and that did the trick. My pace felt pretty good on the flats and descents and I eventually made it to the last aid station just before heading back on the Pilot Creek Trail. I walked to drink a cup of water and had another gel to make sure I didn’t “hit the wall” on the last few miles. Other than stiff legs, I felt ok, so I decided to pick up the pace on this last home stretch. I caught and passed a group of 3 men about a mile from the finish and happily kept them at bay. They were chatting as they ran, so I think I was working a lot harder than they were, but I’ll take it!
As soon as I popped out of the woods I saw and heard my husband and our son cheering for me, and felt a surge of emotion as I ran up the grass to the finish. I did it! I was greeted with a finisher’s medal (and I’ve never been so proud to receive one of those) and a bowl of chili and cornbread which I ate as I walked around in a daze.
The race promoters put on a great event, and I highly recommend it to anyone looking for a challenging trail marathon. I’d also like to take a second to thank my husband for supporting all my training and for being generally awesome. Thanks Tim!
Pilot Mountain 10, acrylic and oil on panel, 12 x 12 inches. One of the Pilot Mountain paintings I made over the years, this one specifically hiking along the Mountain trail
This month Forsyth Woman is featuring my work in their magazine! Writer Taryn Jerez and I discuss many aspects of being an artist including influences, my evolution as an artist and how I carve out studio time. You can read the piece here.
Thank you Taryn and Forsyth Woman for the feature in the February issue!
Installation shot of Paper Mountain and the Space Between the Clouds at Sechrest Gallery of Art at High Point University
Come with me as I take a walk through my exhibition Of Stones and Earth and Air at the Sechrest Gallery of Art at High Point University, NC. The show is up until December 15th, 2021.
Watch a timelapse video showing the 40 hours it took to install this show here.
